The exhibition series has been chunked into a seasonal schedule around equinoxes and solstices 2019-2020.
See full description and the call for works here.
There are 82 works from 53 artists submitted between June and September 2020.
Participating artists
Max Alyokhin, anonymous waves, Bruce Barber, Alain Barthélémy, Diego Bernaschina, Chris Byrne, Khalil Charif, Yiorgos Chouliaras, Coppice, Tiz Creel, Cyborg Art Collective, Ale D B, Eylul Dogruel, Benna Gaean Maris, Ben Grosser, James Hutchinson, Danielle Imara, Carin Jaeger, Shivkumar K V, Timo Kahlen, Olga Kowalska, @loveletterexe, Tatjana Macic, Lilla Magyari, Alfred Marasigan, Natalia Matta-Landero, Konstantina Mavridou, Nathalie Mei, Mike Metz, Larissa Monteiro, nikok, Bya de Paula, Edward PIcot, klaus pinter, David Quiles Guilló, Stefanie Reling-Burns, stefan riebel, Sherwin Rivera Tibayan, Andrea Roccioletti, maria rosalem, Luuk Schröder, angel sesma, Alan Sondheim, Ayshia Taskin, Daniel Temkin, Elle Thorkveld, A. P. Vague, Angelika Vardalou, Nico Vassilakis, tobias c. van Veen; ZiggZagg∑rZ, Paul Wiegerinck, zsolt, eric van zuilen, and [anonymous].
no | name | title | date/period | location | hashtags |
#377 | 2020 | London | artwork leftovers#"protective" glov.. | ||
#356 | 2020 | #vitoacconci #pruitt-igoe #biennale.. | |||
#360 | 2020 | online | #biennaleNO | ||
#372 | september 2020 | Halle, The Nether.. | #biennaleNO | ||
#401 | 2009-2019 | UK/Chile | #sociallyengagedart #dialogicalprac.. | ||
#407 | Seven (7) months .. | Manila, Philippin.. | #faith #biennaleNO | ||
#413 | Ongoing | #mypsychicenergyzeitgeistmelody #ps.. | |||
#389 | #biennaleNO | ||||
#352 | World | #badnews #documentation #videoart #.. | |||
#357 | 2020 | #vitoacconci #pruitt-igoe #biennale.. | |||
#376 | #biennaleNO | ||||
#400 | Brazil | #sound #image #chemical #magnetic #.. | |||
#346 | 2020 and future | worldwide | #theseedisplanted #biennaleNO | ||
#392 | March 21, 2012 | Athens, Greece | #biennaleNO | ||
#362 | online | #biennaleNO | |||
#395 | Summer 2020 | London | #onehastag #biennaleNO | ||
#408 | 2020 | #leaf #tree #autumn #memory #bienna.. | |||
#399 | Brazil | #sound #image #chemical #magnetic #.. | |||
#339 | #biennaleNO | ||||
#403 | 2020 | #biennaleNO | |||
#358 | 2020 | #vitoacconci #pruitt-igoe #biennale.. | |||
#397 | Brazil | #sound #image #chemical #magnetic #.. | |||
#398 | Brazil | #sound #image #chemical #magnetic #.. | |||
#384 | 2018-present | #biennaleNO | |||
#367 | #biennaleNO | ||||
#371 | 2014 | out | #loweffort #non-work #emptymatter #.. | ||
#338 | 2000-2020 | Online | #OpenSourceArt #OpenSourceWebArt #O.. | ||
#412 | the specific time.. | internet | #images #oblivion #numeric #simulat.. | ||
#404 | #biennaleNO | ||||
#364 | 2017-2018 | são paulo | #videoart #phenomenology #biennaleNO | ||
#351 | within beneath co.. | nowhere across on.. | covid, ephemera, production-in-prod.. | ||
#365 | #biennaleNO | ||||
#343 | July | Rotterdam | video, occult, clouds, earth, spiri.. | ||
#333 | Pre Covid | Croajingalong | #lostmoments #youwerenottheretowitn.. | ||
#337 | #biennaleNO | ||||
#366 | 1991 - 2020 | #soundsculpture, #ephemeral #bienna.. | |||
#378 | 2020 | London | artwork leftovers#"protective" glov.. | ||
#345 | can start whenever | can be done where.. | http://stefanriebel.de/ #biennaleNO | ||
#344 | ca. Autumn 2020 | Neumarkt i.d.OPf. | #future #biennaleNO | ||
#406 | #biennaleNO | ||||
#393 | 2020's autumnal e.. | Earth | #biennaleNO | ||
#381 | #biennaleNO | ||||
#363 | 2017-2018 | são paulo | #videoart #phenomenology #biennaleNO | ||
#388 | September 2020 | mind | #existence #non-existence #spammuse.. | ||
#369 | #biennaleNO | ||||
#336 | 2020 | #biennaleNO | |||
#370 | 2008, 2020 | New England, USA | #waves #rocks #collage #glitch #mem.. | ||
#402 | 2020 | Virtual | #pdaf #sensoring #biennaleNO | ||
#391 | 2020 | #ComputerGeneratedMusic #MIDI #Algo.. | |||
#347 | 2019 | London W.C. | #biennaleNO | ||
#385 | 12 September 2020 | Monkseaton village | #james_hutchinson #jamesahutchinson.. | ||
#379 | 2020 | London | documentation works-no works#materi.. | ||
#390 | #biennaleNO | ||||
#411 | 2020 | erth (III) | #afrofuturism #ultrashort #occult #.. | ||
#361 | 1997 | #biennaleNO | |||
#350 | 1995 | #biennaleNO | |||
#341 | 11.2019 | Russia | #biennaleNO | ||
#386 | 2008 | New England, USA | #waves #surfing #memory #biennaleNO | ||
#383 | September 2020 | Gardner, Colorado | #www.mikemetz.com #biennaleNO | ||
#359 | 2020 | online | #biennaleNO | ||
#409 | #biennaleNO | ||||
#349 | 2019 | Bronx, NY | #biennaleNO | ||
#348 | optional | world wide | #only-search-results #biennaleNO | ||
#394 | Summer 2020 | Gallery that does.. | #nohashtags #biennaleNO | ||
#353 | 2004-2020 | Chicago, IL | #collage #nonfiction #biennaleNO | ||
#340 | Farsta Centrum Sw.. | Coronahat #biennaleNO | |||
#342 | 9 SEP 2020 | Vijayawada, India | NoMayYes/On #biennaleNO | ||
#335 | coppice.futureves.. | #777777 #fakeair #biennaleNO | |||
#405 | #biennaleNO | ||||
#396 | 20 of January | Yurt in the wood,.. | #performance #arthacktivism #bienna.. | ||
#387 | First conceived i.. | nowhere | #biennaleNO | ||
#332 | #biennaleNO | ||||
#355 | #biennaleNO | ||||
#354 | 2017-2019 | #webart #netart #deaf #cybernetic #.. | |||
#382 | 1988-1998 | Scotland, Sicily | Lost, Destroyed, Works, Lost Decade.. | ||
#410 | 10 May 2019, 6:00.. | MA/BA 2019 Degree.. | #faith #biennaleNO |
SHA-256 keys of works (zipped)
377. Angelika Vardalou: ignis fatuus 2020: f6ccc644239c44ba6eda60c5bcc754b2cb9c903d32d7665302b2256e3a2c484d
356. Ale D B: Balanço I: e4366d096dd64bb92afe62af2b9643fc4b347a51ab3f916c13ac656ea07a5bfd
360. David Quiles Guilló: two one demons demons: 403a203c292c82e335c725378efe2d795cdfee452893d29cd1caf70eefbdd537
372. Paul Wiegerinck: Visual Description of a Non-Existing Artwork Called Bachelor of Music Animated: ce4294795207d5f91ebfc6b974c652dc4dd0dbbdf9f88f048dcabfc9a7051aa5
401. Natalia Matta-Landero: The Invisible Work: 024fe22bba5ef22e7287065131b6e40a21be9f736dbc2fb5608abcd34ec4647e
407. Alfred Marasigan: An Infinitesimal Rose: c8afb9188e7264cbb26a782c85c1941a61e5fc084237a15d657797f0622878ad
413. Tatjana Macic: mypsychicenergyzeitgeistmelody: e97da9b748127f73b7701dd9f1203edd4ba9e2871240c41a00e5cf978cda16c5
389. : : aa6c91664e8b19852025e8b851a22f60bf438128195f3fc446216167befbfdb5
352. Olga Kowalska: Bad News: 51029e46502dd8d133809230774a2433ed3b823dfe620adf634bdf117e3c3e5c
357. Ale D B: Balanço II: 44be63339f4f9b3278441aca2d9a8a2a9d002f8847dfa3981d995125a824e7dc
376. Angelika Vardalou: ignis fatuus 2020: 5bad689f8809f70f0f4cc443c77f328c7475ce64eea401392e33b461583f5256
400. Bya de Paula: between spaces -3: 57693e94a35ee67e2211bd004f71431794188797a9a08a7815d8d76ec8250b03
346. Konstantina Mavridou: The Seed Is Planted: 1513610fe7f3331b0233b976a495704a878562a7c7c72404df8c8ea06f9ba8a2
392. Yiorgos Chouliaras: The Invisible Tomb of the Unknown Poet: 3bb39ce95969b1a188f43b5eeed0d90dcdadf39eef244f61333067998795d863
362. Luuk Schröder: cinematic_echo: 6fe0ba71b3e91aad9e8ac9c9b1cc656e90b58a3bc47520f7a203fca624042445
395. Tiz Creel: Virtual backgrounds: 314c56b540ab16ab06fda01242a11cea667de088daffb98bc31fc292830bd4ee
408. Eylul Dogruel: The Last Leaf: 0b3988e8e4e6eeca0923f8a7a8ed86b5f92720604b765195ce1e3eaadb29aeda
399. Bya de Paula: between spaces -3: 3a53ebaacd82a42f85ece74d7722600081c5a81f187b8cc0425e6b98ec0365d1
339. Sherwin Rivera Tibayan: 9.8m/s^2: dfd9279bca0d9fc0473781c15201122785cc3e79d01f10983ba7930833132d61
403. Lilla Magyari: Unknown: 45b8851dbc710833dbb9b3d289041d9c34fce6328d7b7511e402f4ad3f77b550
358. Ale D B: Balanço III: 981c65c0ecd70f6273fe3319fbf0d9ae596cd9fd65281f0b0e2f469c25ef5a60
397. Bya de Paula: between spaces -1: 3659835d24ac24ef3bc0b9b4a2af4f1405751acc74e4beb63fc8013feded8874
398. Bya de Paula: between spaces -2: d26aba2a7add65e5c6d96a728bb9f0cd48a08b9667a1c85a41ed1c3606d22f71
384. Ben Grosser: Safebook: 6c1e9461bf0ceb965d0396cc9a7bfd4fb5850706c4e422c815523bf02c3dad6f
367. Bruce Barber: Media Landscape Mountain: e69c43b9a3810545392bdddbb5eee3e8f4348afe6278c5cd2d516679460f1452
371. Alain Barthélémy: Spilled Trashes: 4727611f0222a886930b8d6b01a2f10148546721fbd6d4b55f043e9351cb408d
338. Ayshia Taskin: =FOR+M+ and //Open-Source Art [Web]: 036c704e34670e74e946ede749d5b32fb78a268157cf4dacb5f349f1c74f0008
412. @loveletterexe: oblivion images: 951a5466d672926e266d72029ea73cd5b0093cc7d31e3146d95b34ecab172073
404. : : c7a72bc2a44fd3d1ace4078a439cddfc889263739d79a173533cc8270183a4fc
364. maria rosalem: avatar-image II (shapes of counting time): 6fdcd3ec90dafe7ac681fe4b5301c3bc277d067a3275cf2e08404f10e03a59ac
351. Alan Sondheim: ethics of sheaves: 31bb93d9e296de556ca6a0d8eeb2ac36b42bc52589220e0aa18afe2a6a4851ba
365. Edward PIcot: Prospectus for Nothing: a2e24ad22a783344adb8470374380ed4af562c6865254fb18fc05d375dbbccd7
343. Larissa Monteiro: Oculta por Nuvens: 38143e5c7445088b2cfe0d9fcbed65451f6369b72aff74b864013c8daaa8b0d7
333. anonymous waves: Night Watch: 4b14fc788d761ba728363ec7f451826fabc0ef7fbd7fdef8ba48488e59e863a3
337. : . . .: c5f1bad728b831a5b15780c05d54d235c93bd89a6ce255bb7f8adecd729fe996
366. Timo Kahlen: "Sculpting Sound in My Hands, And Throwing it into the Air“, 1991 - 2020: efa95eb84abe240ce65572fe917b77fb8aa5a3385ed2add274f5399397e98797
378. Angelika Vardalou: ignis fatuus 2020: b0491ef80b5f705245d61c0b67fcd65b1fa3e19c67f5f508fc2fb5fd2f7159ae
345. stefan riebel: waiting: e127c9d5c71f58340dcaeecf8c99f8a462e3d219eeaa4acc4ca5989f615b6e20
344. Carin Jaeger: l'objet technique: 54fc0ceff8a3849fb67e6a96d4e2b90a5ac209d0bb3883f680c8bfe36d1b1170
406. : : 9380c92229c12832eddb907b1c9b0f26533970980ddee70bcaa47f19e5792a16
393. Benna Gaean Maris: Ideas for sale: ccd0183e5aa9976f4413fb72933002eec6388ffc5528a18cd3fdde3b867c5f3e
381. eric van zuilen: somebody-somewhere: 1d44c3b09847c542573cfb9f0f183a25cfab88b88d6b51a66be98620c6e4b289
363. maria rosalem: avatar-image I (shapes of counting time): f3827de4ea4cc7f15f744dcfefd2ca8749fe61ba7a582c64deeb4f6a58c64ad8
388. Stefanie Reling-Burns: That work can't be found: c08a00aaea86123ae7d30d0dbc04c7d55586e64dc8906c74828aac7c02935968
369. : : 45bd157d047df0e3c6f5979e258acb684c56f8d6d6e7ecf78be32ddf26480910
336. : A precise estimation of the initial momentum of a given particle after measuring its position: e73c8334ec843d80a50081345e5e0b54f06eafa62d6a49b982a15c7d923d355c
370. Elle Thorkveld: Before the Storm: a8efd80d405ad3bb31d85cd7f7f37c2365082db708c7e1521250bd77c59db29f
402. Nathalie Mei: 1.4 µm | Approximating Touch: 608203431aafaa2e2e344290c87584fc84e8a51d491ebab4339cb1609bf1b081
391. Cyborg Art Collective: : 0c7e5d889ed224ae57f2520ddd96163c1ed3aa887b389e4c8f5d1d0e3c9a92d5
347. Danielle Imara: It's So Obelisk!: 9773dda7ab191a33a7229cf4b79306fbc45269512c89b1979ac6e84589f2491c
385. James Hutchinson: Boxheed: afa7ddd86d7cfe2f5cae900d7f86cec415982223752e2ef728d0894cc164a1ea
379. Angelika Vardalou: ignis fatuus 2020: dcd3a373a90a067d9c9cda1d84fc193f5f1351992484577234fd45e72e8ec2b6
390. : : 5cac66a9a597d2d1ab8120e847788b37a1b58a70456701ad7f9f419bf479f5ca
411. tobias c. van Veen & ZiggZagg∑rZ: ALIENATIONS (undocumented): 76283402bca4418f3624f94b8007bc9a9cf6fccb57a8fe7ce1c5a18e002c0a4e
361. Khalil Charif: The "A" Project: 7ecb66d55fd331c0a06fb598b333c72b69a61b46e62b9362c9fb1666b2d664a5
350. angel sesma: lost password: 9daedea229273dfad084e335f3ea1b4acad27c6a71f6a8953457c0165fcab59b
341. Max Alyokhin: Web Deformation: 0a601515c15a9f9714d6be6385253d344be7031f6f5f23e95c3307527243660b
386. Elle Thorkveld: Surfer: f7b1d99f5b2c6bfceb43f1bb06e7bfc394369b50965303ab54bea2339b925b2a
383. Mike Metz: REMNANTS AS RELICS: 60c9326e2b32f4284eab34f7638721d4849ce0118c67a8ef8db2c2ae428c7f54
359. David Quiles Guilló: the kettlebell you bring: 306da24a279f512f4c15f0f98de6a58281fa413595450ecf9f4f8a8a55e8789b
409. : : a3c2f5c947f80a8c9b3b3a4b5f4faad4d4fb0822d7fb03ad109cb7fb8e7ff8ca
349. Nico Vassilakis: : 239148154b1ff440fd294056105fa12a3f451923f4ebde07b52d3d9c6b4956bb
348. zsolt: only search results: 391ff85c6d87b799278a75c43de5668750b20fe13852f02befbc6192d422bf21
394. Tiz Creel: Nevermind today: 8ad1bcce4e66137d602347779bc82d299caf325ef517a3a47948964cc687c897
353. A. P. Vague: Okinawa Typhoon - June 2004: 6554cc95c5cf58d113a2d0388eb019cacd2ae84c97aa99bcfff610f2677b2a64
340. : .: 075f6f86aeb03770b606a6bfd721bbe39ef49e250556169a459d100825def410
342. Shivkumar K V: : 3443134596828058567afc99276300ff6776f77cad3e3f24d7d0549a5b1cf31f
335. Coppice: Fake Air Storage: a79f53646495ad06e0286e0a6c063cb414d697025875607ff80bc2110ba063ae
405. : : 8828d4823b4df24a4ebcf60f7da5bc6ca52d59404d21ebfbea9960b0d6e0b702
396. Andrea Roccioletti: The authorship of the work.: 9a047f29ab577fc893d4f1cf18536f4f0d2710284b20516f42e70bbdfe347e41
387. Daniel Temkin: ↄ: 11ae0dccbd9469405e7cc8222c3173fb6302687fb7682bf679a334d5e9cddd38
332. nikok: older computers, more enjoyful!: 33e48e3893612c8e7815c1775a6d051eccde839241101e53dd04221c65b9d246
355. klaus pinter: untitled: 16d210e831fd04b1bdc46b64fc168e2d17fb551e57312eec37a2fdf70fbcdc31
354. Diego Bernaschina: Infinite humanity: 1c28fd2b3dfdd36116a5409e64293c10783ce3382a6bbc0e13b859ede595c86e
382. Chris Byrne: Lost or destroyed works, 1988-1998: 289890a52d272fa42b3d97ddbaceb506fb938da2949e238b87c226e20a11692e
410. Alfred Marasigan: The Infinitesimal Rose: e41c2b1a7b33dadd50549518ebbacac1bd0df5d2fddb106ce23652f91594bb28
Files
https://noemata.net/ueop/3-20.html
https://noemata.net/ueop/3-20.zip
SHA-256 hash of zip
038d92dca3203454d49cf877d2fa781f0e91cb46dd0f94b95f5b69be27a53b94
Status in bitcoin blockchain
The collection is certified.
Transaction ID
491f6e1846ab4e80685604afa5d18f8293f7e801c91c4875ca9a3eb89f460a56
The unique hash key of the zip of the collection (preceeded by the '6a' OP_RETURN byte) is embedded in the transaction, and thus the collection is notarized and certified. It means there's a public stamp referring to it, a proof-of-existence, since the hash-stamp of the collection is unique. So, the undocumented events and objects of the collection are then nonetheless proven to exist, which was partly the point, to assert an existence of the otherwise non-documented and non-documentable. In various degrees the works reflect this. In other words, blockchain is used as an archive, museum or a similar function for conservation of works, but without containing or revealing them - its only function is to certify their existence when asked.
Priest: Although it is midnight I see the form of a man, a faint form, in the light there. If you are spirit, who are you?Note the spirit's uncertainty as to his own success in appearing. The priest wonders if he really saw anything. The spirit affirms that "The body was there if you saw it."
Spirit: I am the ghost of Tsunemasa. Your service has brought me.
Priest: Is it the ghost of Tsunemasa? I perceive no form, but a voice from a recording.
Spirit: It is the faint sound alone that remains.
Priest: O! But I saw the form, really.
Spirit: It is there if you see it.
-- Tsunemasa Noh play
Transaction detail
insight |
smartbit |
blockchain |
blockcypher |
blockchair